So I had to begin to write to my reality. And so agitprop and the acto level, and later the mito and the corrido, was the way that I could survive as a theater artist by not overtaxing, if you will, the preparation of my actors and my audience.
Genre
Political
15:20
Political theater made perfect sense. It was free. That makes a lot of sense to an audience.
Genre
Political
15:26
But it was passionate. And it was pointed at an action that they could also participate in. So that allowed our survival.
Genre
Political
24:35
Poor, you know, in the sense that they won't have a huge budget, but it will be a labor of love and a labor of commitment, a political and social commitment, human commitment, which I think really explains who Cesar was. So maybe that's the way it'll get done.
El Teatro Campesino - Latino USA Episode 416
00:00 / 00:00
15:04 - 15:20
So I had to begin to write to my reality. And so agitprop and the acto level, and later the mito and the corrido, was the way that I could survive as a theater artist by not overtaxing, if you will, the preparation of my actors and my audience.
Luis Valdez
Theater
Mito
Corrido
Political
15:20 - 15:26
Political theater made perfect sense. It was free. That makes a lot of sense to an audience.
Luis Valdez
Theater
Political
15:26 - 15:33
But it was passionate. And it was pointed at an action that they could also participate in. So that allowed our survival.
Luis Valdez
Theater
Political
24:35 - 24:50
Poor, you know, in the sense that they won't have a huge budget, but it will be a labor of love and a labor of commitment, a political and social commitment, human commitment, which I think really explains who Cesar was. So maybe that's the way it'll get done.
Luis Valdez
Cesar Chavez
Film
Political
Project By:Kathryn Gaylon, Luz Gonzalez, Christian Nicholas, and Allysa Tellez