Annotations for Dates: 1800s

A revival of traditional Mexican mariachi music is taking place across this country and many Latino youth are participating. Marcos Martinez of Radio Station, KUNM prepared this report on the Mariachi celebration held recently in Albuquerque, New Mexico. Now in its fourth year.

[Mariachi Music]

Albuquerque's Mariachi Spectacular brings together groups from throughout the southwest who bring their instruments and their devotion to the music for four days of workshops and concerts. On a Saturday afternoon, some eight mariachi groups alternate between six different stages along Main street of the New Mexico State fairgrounds. This is called Plaza Garibaldi modeled after the original Plaza Garibaldi in Mexico City where Mariachis gathered to play and find work. This year, about half the groups at Plaza Garibaldi are high school students. 17 year old Nick Watson plays with Mariachi Oro Del Sol from El Paso, Texas. He says Mariachi music is complex and fun to play

Well because it's challenging. It has more than three chords. It's basically what I think rock and roll is. And not that I'm knocking, I like rock and roll, but it's challenging. It's more challenging to play, you know, learn a lot more from it.

[Mariachi Music]

With this music, you can express your feelings more.

How?

Um, with the songs, the words and stuff, they're very powerful words.

Jennifer Luna is the leader of Mariachi Oro del Sol and shares Watson's enthusiasm. She says in her part of Texas, young people are very drawn to this style of music.

A lot of young people play in El Paso. That's mostly what there is there. The groups are younger kids. Cause over there it's in the schools they teach it to you, so it's pretty common over there.

The word mariachi comes from the French word for marriage. According to history, French people who came to Mexico in the 1800s became interested in the Mexican string bands of the time and invited them to play at French weddings. Today, mariachis typically include guitar, violin, trumpet, and the vihuela, which is a small guitar, and the guitarrón, which is a very large guitar. While they carry on traditions, youth mariachi groups like Oro Del Sol are also different from the older generation of mariachis in that they tend to be more gender balanced. Nick Watson says his mariachi group is all the better for including young women musicians.

They're good. We just picked who’s good and they're good. So we take them, it doesn't matter. Sex has nothing to do with it. If you're good, you're good, you play.

[Mariachi Music]

There's no doubt that among the young people attending this year's Mariachi Spectacular is some great future talent. Alex De Leon is a vocalist for the Mariachi Azul y Blanco from Adamson High School in Dallas. This 17 year old has already received high praise for his vocal talents.

[Mariachi Music]

People keep giving me comments, I'm good and stuff. So now I want to get better.

Young Mariachis, like De Leon have a chance to learn from more experienced mentors like Al Sandoval, who teaches music in the Albuquerque public schools and is director of Mariachi Romántico. Sandoval says, attendance at the Mariachi Spectacular workshops has tripled since last year. Sandoval says because of its expressiveness, mariachi music is a big part of Southwest Hispanic culture.

It's the most addicting music of all. I mean Southwest, it's the most addicting music. It grows on you and once it's in your blood, you'll never get it out. It's worse than the worst habit you can ever have because I mean, you grow to love it and you can never get away from it.

[Mariachi Music]

Everything about Mariachis hearkens back to Old Mexico from the ornate charro outfits and broad brimmed hats to the instruments and the old songs. But on the final night of the Mariachi Spectacular, as the teenage musicians joined the world's most famous mariachi groups on stage for a grand finale, the tradition seemed certain to continue for a long time to come. For Latino USA, I'm Marcos Martinez in Albuquerque.

[Highlight--Natural sounds--Indigenous spiritual singing] By the mid-1800s, clashes with the natives and problems with the Mexican government drove out many of the Spanish priests who had come to New Mexico, lacking formal religious leadership, small adobe houses of worship, called Morales, sprang up throughout the mountains. Here at las Golondrinas, the small Morale is an exact replica of one in Abiquiu. And is hosted by Dexter Trujillo.

We're doing a writing project. We're writing as if we were one of the people who lived here in the 1800s. She's going to be the abuelita and I'm going to be the grandchild that comes to live with her.

[Background--music--Chicano world] We see Afro-Cuban rhythms that have been a part of our culture since the twenties. We see Germanic elements that have been part of our music since the late 1800s. We see indigenous rhythms, indigenous instruments, and the reintegration in the influence of nueva canción of the sixties, the cha chas and mambos of the forties and fifties, the doo-wop of the fifties and the rhythm and blues and more recently the rap influence as well as influences from rhythms around the world, songo, soca and et cetera. So we decided to call it Chicano world because we think it's Chicano music and it also represents the influences of the world on our music.