Annotations for Dates: 1962

More than 30 years ago after the Cuban missile crisis of 1962 and the failed US backed invasion of Cuba at the Bay of Pigs, the United States government imposed an economic embargo of that island. Trade and travel to Cuba were prohibited under most circumstances. Under the Trading With the Enemies Act, that policy has softened and then heartened over the years. Most recently, it was tightened under legislation sponsored by Representative Robert Torricelli of New Jersey, the Cuban Democracy Act. Now that policy is being challenged by a group led by several religious leaders. It's an effort known as Pastors for Peace.

I'm Sandra Levinson. I'm from New York, but I started on the Duluth route.

Joe Callahan from Minneapolis.

I’m Henry Garcia from Chicago.

Latino USA caught up with a group Pastors for Peace in Austin a few days before they defied US government policy by taking medicines, food, and other aid to the economically strapped island of Cuba.

We're taking such dangerous things as tons of powdered milk. We are taking pharmaceuticals because they are actually distilling their own pharmaceuticals out of the herbs and plants in the fields. I've seen that with my own eyes just in April. They don't even have sutures to close surgical wounds.

Like the Reverend George Hill, pastor of First Baptist Church in downtown Los Angeles. Every one of the approximately 300 people involved in the motley caravan of school buses, vans, and trucks that make up the Pastors for Peace eight caravan opposes the US economic embargo of Cuba. So much so that they refuse to obtain the license the Custom Bureau requires in order to ship anything to that island.

We refuse to ask for a license. We refuse to accept the license if the government extends one to us. Our license is really our command from God to feed the hungry, to give clothes to those who are naked, to visit those in prison, to give a cup of cold water. We must do this to the least and even to those with whom we may have differences.

The Reverend Lucius Walker of the Salvation Baptist Church in Brooklyn is the founder of Pastors for Peace. His stand on Cuba has not made him very popular among those opposed to the government of Fidel Castro. And he says he's received a number of threats.

Telephone calls to my office, threatening to come over with a pistol and take care of me.

Still. Walker insists he is not engaging in politics, only in the highest tradition of religious principles and civil disobedience.

Of Jesus Christ, of Martin Luther King, of Gandhi, and all of those who are the good examples of what it takes to make social progress in a world that if left to its own devices could be a very ugly place to live.

[Music] About 30 members of the Pastors for Peace Group sit around a television three days before they're set to rendezvous with more caravan members to cross the border at Laredo. They're watching a video about how the animosity between the governments of Cuba and this country have separated families for as long as 30 years.

No quiero vivir allá, no me gusta vivir allá. Pero me gusta vivir aquí, pero quiero ver a mi hermana, y a mis sobrinos que nacieron allá. Que son familia, que son sangre. [Translation: I don’t want to live there, I don’t like living there. I like living here, but I want to see my sister, and my nephews that were born over there. They are family, they are blood.]

I grew up myself with my family always saying, you know, that the only way to get out is to go to US to have a better life, to live like normal people, to wear jeans, to eat gum, chew gum. It's like very idiotic things to think of when I live here now, and you know, I have to learn the language.

Elisa Ruiz Zamora was born in Cuba. She came to this country with her family when she was 18. She's now a young mother and student making her life here in the States. But when she heard about the caravan of aid to Cuba, she brought her family down to meet with a group. Her mother, brother, and grandfather are still on the island and she hopes some of the caravan's aid gets to them. It's amazing, she says, to see Americans get together to help another nation, one their government has told them is a dangerous enemy.

Tell the opposite to their government. The government's like to me, it's like they want to be the judges of the world. Say, what should happen here? What shouldn't happen, how Cubans should live their lives. And we have a mind of our own and we always have. There's...

The Clinton administration has so far given little indication that it's ready to lift the blockade on Cuba. During his election campaign, Mr. Clinton received considerable support from anti-Castro organizations like the Cuban American National Foundation, but with the easing of telephone communications with the island, some now believe there might be a small window of possible change on other fronts. Sandra Levinson is the director of the Center for Cuban Studies in New York.

They are looking, I think, in Washington for a way to change policy, which does not really give anything to Cuba. Of course, we will never do that, but will ease the tension somewhat, perhaps make it possible for more people to travel legally to Cuba. Make it possible for AT&T to put down some new telephone lines and perhaps give some of the 80 million dollars in escrow, which is accrued for Cuba to the nation, which so desperately needs that money. They don't care how much they have to pay for a telephone call. They want to talk to their mama.

As this program went to air, most of the Pastors for Peace caravan had been able to get across the border, except for two school buses and a few other vehicles. Among the drivers of those vehicles was the delegation leader, the Reverend Lucius Walker, who in the non-violent tradition of Gandhi and Martin Luther King, began a hunger strike in protest. For Latino USA, I'm Maria Martin reporting.

One of the featured musicians on Gloria Estefan's recent recording of traditional Cuban music, "Mi Tierra", is Israel Lopez. Also known as Cachao, Lopez now in his seventies, is just beginning to gain recognition for creating many of the familiar rhythms associated with styles like the mambo and el cha-cha-cha. From Miami, Emilio San Pedro prepared this musical profile.

[Transition--Cuban Music]

(Background music) In his younger days, Israel Lopez was known for his interpretation of traditional Cuban musical styles, like el son and danzón. Lopez comes from one of Cuba's oldest musical families and got his nickname, Cachao, from his grandfather, a one-time director of Havana's municipal band. Cachao recalls how after a while he and his brother, Orestes, became bored with playing the same old traditional danzónes, and created a new dance music called the mambo.

[Descarga Mambo--Israel “Cachao” Lopez]

Entonces en el año 37 entre mi Hermano y yo nos… [transition to English dub] In 1937, between my brother and I, we took care of this mambo business. We gave our traditional music, our danzón, a 180-degree turn. What we did was modernize it… [transition back to original audio] …lo que hicimos fue modernizarlo.

In the late 1950s, Cachao got a group of Cuba's top musical artists together for a set of 4:00 AM recording sessions that started after the musicians got off work at Havana's hotels and nightclubs. The group included Cachao's brother, Orestes, El Negro Vivar, Guillermo Barreto, and Alfredo León of Cuba's legendary Septeto Nacional. Cachao says he called those jam sessions descargas, literally discharges, because of the uninhibited atmosphere that surrounded those recordings.

En la descarga se presa uno libremente, cuando uno esta leyendo música no es los mismo… [transition to English dub] In the descarga you express yourself freely. When you are reading music it's just not the same. You are reading the music and so your heart can't really feel it. That's why that rhythm is so strong and everyone likes it so much… [transition to original audio] Fuerte! Y muy bien, todo el mundo encantado.

[Descarga Mambo--Israel “Cachao” Lopez]

Cachao left Cuba in 1962, but his association with the descarga, el mambo, and el danzón kept him busy in this country playing everything from small parties and weddings to concerts with top musicians like Mongo Santamaria, and Tito Puente. For young Cubans growing up in the United States, the music of Cachao and other artists has served as a link to their cultural roots.

His music has inspired me over the years and has brought solace to me and many times and has been a companion for me. Anybody who knows me will know that I carry tapes of Cachao with me in my pocket.

Actor Andy Garcia is one of those young Cubans on whom Cachao's music made a lasting impact. Garcia recently directed a documentary on the musician's life titled "Cachao...Como Su Ritmo No Hay Dos." "Like His Rhythm, There's No Other."

Cachao has been, in a sense, overlooked for his contributions musically to the world of music, world internationally. Musicians know of him and anyone say, "Oh, he's the master," but in terms of the general public, he's been really ignored. So it's important to document something, so somehow that would help bring attention to his contributions to music.

The documentary mixes concert footage with the conversation with Cachao. The concert took place last September in Miami, bringing together young and older interpreters of Cuban and Latin music in a tribute to Cachao and his descarga.

Very modest, extremely modest man. Quiet, shy.

One of the musicians who played with Cachao in that concert is violinist Alfredo Triff. He says, "The 74 year old maestro has lessons to teach young musicians that go beyond music."

He's such a modest person that in fact, I realized that he was the creator of this thing, this mambo thing. And I'll tell you what, not only me, I remember Paquito once in Brooklyn, we were playing, or in the Bronx, we were playing the Lehman College. And Paquito comes to the room and he says, Alfredo, you know that mambos, Cachao invented this thing.

Andy Garcia's documentary, "Como Su Ritmo No Hay Dos", is bringing Cachao some long-delayed recognition. And these days, Cachao is quite busy promoting the film, working on a new album, and collaborating with Gloria Estefan on her latest effort, "Mi Tierra", "My Homeland," a tribute to the popular Cuban music of the 1930s and '40s.

[No Hay Mal Que Por Bien No Venga--Gloria Estefan]

The album "Mi Tierra" has become an international hit in the few weeks since its release. The documentary, "Cachao, Como Su Ritmo No Hay Dos", has been shown at the Miami and San Francisco film festivals. Cachao also plans to go into the recording studio later this year to put together an album of danzónes.

Es baile de verdad Cubano, y se ha ido olvidado… [transition to English dub] It's the traditional Cuban dance, and it's being forgotten. Here you almost never hear a danzón. I wish the Cubans would realize that this is like the mariachi. The Mexican never forgets his mariachi. Wherever it may be, whatever star may be performing, the mariachi is there. It's a national patrimony, as the danzón should be for us and we should preserve it... [transition to original audio] …danzón…y debemos preservarlo también.

Cachao strongly believes in preserving Afro-Cuban culture and its musical traditions. He hopes to keep those traditions alive with his music. For Latino USA, I'm Emilio San Pedro.

[No Hay Mal Que Por Bien No Venga--Gloria Estefan]

A drama has been unfolding for more than two weeks now in the border town of Laredo, Texas. On July 29th, a group known as Pastors for Peace defied the US trade embargo against Cuba by taking dozens of vehicles carrying food, clothing, medicines, and other aid to Cuba across the US border. But one of those vehicles, a yellow school bus, was stopped by the customs service. Today that bus sits in a federal compound in Laredo. It's occupants refusing to leave the bus and now starting their third week of a hunger strike. From Laredo, Latino USA's Maria Martin reports.