Annotations for Dates: 1989

The symbolic leader and the man who speaks for the African American boycott of tourism, HT Smith. He says that there have been a lot of changes in the last four years for African Americans, things that have made a difference, things that have made them feel that perhaps there is some hope, for example, that there are two Congress people representing African Americans from Florida, and that makes a statement for African Americans, the changes in the county commission. So, the situation he feels, and a lot of African Americans feel that the situation now in 1993 is not the same as it was in 1989. That's not to say that everything is fine and that everybody is, and that no one has any problems. But the point is that there is some sign that there can be some hope and that there isn't that feeling of despair that may lead people out into a riot-type situation, and that's the kind of thing that they were looking for with the boycott to bring up all these topics.

There have been efforts, continuous efforts by community groups to get together to discuss their differences, and the key issue really is economic empowerment. The key issue is hopelessness because of economics, because Blacks many times are stuck in communities in day county that are basically the communities that are deprived economically and socially. They're the first communities that they want to get the schools out of. They're the first communities that they don't pick up the garbage. They're all these things that are starting to get addressed, and so people feel, okay, well let's give it another chance. Let's see what happens. Let's figure out ways to try to diminish these tensions. And they have worked a lot on it since 1989. I'm not telling you they're all the way there, but at least they've made some efforts and they're definitely trying to get rid of or quell the opportunists who will go out and riot anyway because they always are, but at least they've made some effort and people see that.

Discrimination was not the first worry of the Latinos who joined to form the first Hispanic chapter of the Civil Rights Organization, crime was. Reverend John Flynn, who is part of the group, says since 1989 he's presided at the funerals of more than 30 young people who have been killed in the streets of Crotona, one of the poorest communities in the country. The young people there live in despair, he says. There are no jobs and the only money they can get is in the streets selling drugs.

After high school, Rosie moved to Los Angeles to study biochemistry and ended up choreographing for singer Bobby Brown, rapper LL Cool J and Diana Ross. Her big screen break came in 1989 when Spike Lee cast her as Gloria, who danced like a prize fighter and cursed up a storm as his girlfriend in Do the Right Thing.

Before the revolution that brought Fidel Castro to power, jazz music flowed freely from this country to Cuba and back. That musical cross-pollination has been more difficult in recent years, though. However, Cuban jazz pianist Gonzalo Rubalcaba made history this summer when he was permitted to play in the United States for the very first time. Alfredo Cruz reports.

[Recordando a Tschaikowsky--Gonzalo Rubalcaba]

During the first half of this century, Cuban music was a very popular source of entertainment in the United States. The Mambo y cha-cha-cha, and other rhythms dominated radio waves and dance halls across the country. Cuban music was being heard here, and jazz over there. But in 1959, following the Cuban Revolution, all cultural and political connections between the two countries were cut. And in Cuba, jazz became a Yankee imperialist activity. Playing or listening to jazz was done in an underground clandestine manner. Since then, things have changed. For one, the Havana International Jazz Festival, now in its 14th year, has attracted world-class musicians and helped raise the social and political acceptance of jazz in Cuba. But as pianist Gonzalo Rubalcaba says, it wasn't easy.

Bueno, principio en los años sesenta, y parte de los setentas…[transition to English dub] In the early '60s and through part of the '70s, it was very difficult getting people to understand the importance of supporting jazz and the increasing number of young Cuban musicians heading in this direction. Today, however, there can not be, and there isn't any misunderstanding or political manipulation of jazz or Cuban jazz musician [transition to original audio] …interpretación por parte de los musico Cuba.

[Mi Gran Pasion--Gonzalo Rubalcaba]

At 30 years of age, Gonzalo Rubalcaba is considered one of Cuba's premier pianists. His father played with the orchestra of Cha-cha-cha inventor Enrique Jorrín, and later became one of Cuba's most popular band leaders. Gonzalo himself played with the legendary Orquesta Aragón while still a teenager, but it is through his solo playing that Gonzalo has made his mark in Cuba and around the world. Because of political differences, however, the United States audience remained out of reach to Cuban jazz and musicians like Rubalcaba.

[Simbunt Ye Contracova--Gonzalo Rubalcaba]

Bueno Estados Unidos debió ser uno de los primeros escenario…[transition to English dub] The United States should have been one of the first places for me to play. But since 1989, there's been a mystique and anticipation surrounding my not being allowed to enter this country. Very simply put, it's been a politically motivated maneuver to not grant me a performance visa, and has nothing to do with artistic or musical considerations. But now, my first appearance in this country, I think signals that we are entering a new era. But that doesn't mean I haven't had any contact with American musicians, because I've played with many in Cuba and in festivals around the world [transition to original audio]…contacto con músicos Norte Americanos.

American bassist Charlie Haden met and played with Gonzalo Rubalcaba in Switzerland at the 1989 Montreux International Jazz Festival and brought him to the attention of Blue Note Records. Haden, along with Blue Note executives and Lincoln Center in New York City, negotiated with the US State Department to grant the young pianist a performance visa. And finally, in what seems to have been a political icebreaker last May 14th, Gonzalo Rubalcaba made his US debut performance before a sold-out audience at Lincoln Center.

[No name (Live at Lincoln Center)--Gonzalo Rubalcaba]

Nueva dirección, del viento, el aire lleva…[transition to English dub] There's been a change of wind, politically speaking, a relaxation of attitudes and perceptions that are now opening the doors to dialogue in an effort to eliminate tensions. And it seems to me that this is a common goal of both Cuba and the United States. Even though we still can't really speak of this in practical terms, but ideally, this could be the beginning of normalizing relations between the two countries [transition to original audio]…esto podría ser un pequeño parte de eso, un comienzo.

[Unknow Track--Gonzalo Rubalcaba]

Many artists in both countries do agree that a relaxation of political policy between Cuba and the United States would be a positive development. And Rubalcaba's US debut has generated a renewed optimism within the cultural community, even though the visa he was issued allowed him to play only one concert, and on the condition that he would not be paid. Recently, Gonzalo Rubalcaba's recording, entitled Suite 4 y 20, was released in this country on the Blue Note record label. For Latino USA, I'm Alfredo Cruz in Newark, New Jersey.

[Simbunt Ye Contracova--Gonzalo Rubalcaba]

There's no way that Dinkins is going to get the same support in the Latino community that he got in 1989, and that's the reason he's going to lose. Every poll, while it may vary more or less some points, shows him nowhere near the 66% to 70% that he got last time. And I'm convinced that we're going to win the majority of the Latino vote. So that's the election right there.