Latino USA Episode 02
00:46
This is Latino USA, a radio journal of news and culture. I'm MarÃa Hinojosa. Today on Latino USA: two years after the Mount Pleasant riots in the nation's capital.
00:59
Overnight, Latinos were an issue in Washington DC.
01:04
Where US Latinos stand on the Free Trade Agreement with Canada and Mexico.
01:08
The jobs that are expected to be lost are the low-skilled, low-paying jobs that so many Latinos in this country hold.
01:15
Also, Afro-Cuban jazz pioneer, Mario Bauzá, and some thoughts on what's really important.
01:22
Here on top of the earth, we have everything a man can need. What more can one ask for?
01:28
All this here on Latino USA, but first: las noticias.
20:12
Had to happen outside of Cuba before the Cuban people convince themself what they had themself over there. When they got big in United States, Cuba begin to move into that line of music.
22:39
Merengue, merengue from Santo Domingo. Cumbia is cumbia from Colombia. Afro-Cuban is Cuban. That's why I got to keep [unintelligible] Afro-Cuban rhythms, and Afro-Cuban rhythm…Danzón es cubano…la Danza es cubano…Bolero es cubano…el Cha-cha-cha es cubano…el Mambo es cubano…el Guaguancó es cubano y la Columbia es cubana. So, I got to call it Afro-Cuban Jazz.
Latino USA Episode 14
00:46
Afro-Cuban is Cuban. That's why. I've got to keep a bunch of these Afro-Cuban rhythms.
22:06
Had to happen outside of Cuba before the Cuban people convinced themself what they had, themself over there. They didn't pay no attention to that. When I got big in United States, Cuba begin to move into that line of music.
25:51
Meringue, meringue from San Domingo. Cumbia's cumbia from Colombia. Afro-Cuban is Cuban. That's why I've got to keep a bunch of these Afro-Cuban rhythms. Danzón Cubano, la danza Cubano, el bolero Cubano, el cha-cha-cha Cubano, el mambo es Cubano, guaguanco Cubano, la Colombia es Cubana.So I've got to call it Afro-Cuban, yeah.
26:30
That's it.
26:32
Yes.
26:39
You know me. It ain't going to be like that.
26:44
I don't know. I ain't through, I ain't through. I just wanted my music to be elevated. That's why I want to record this suite now. I want to see the word, music is music. You tell me what kind of music. I like any kind of music that we're playing. And that's what I tried to do, present my music different way. Some people might don't like this, don't like that, but when they hear that, they have a right to choose for. That's what I want them to do.
Latino USA 02
00:46 - 00:58
This is Latino USA, a radio journal of news and culture. I'm MarÃa Hinojosa. Today on Latino USA: two years after the Mount Pleasant riots in the nation's capital.
00:59 - 01:03
Overnight, Latinos were an issue in Washington DC.
01:04 - 01:07
Where US Latinos stand on the Free Trade Agreement with Canada and Mexico.
01:08 - 01:14
The jobs that are expected to be lost are the low-skilled, low-paying jobs that so many Latinos in this country hold.
01:15 - 01:21
Also, Afro-Cuban jazz pioneer, Mario Bauzá, and some thoughts on what's really important.
01:22 - 01:27
Here on top of the earth, we have everything a man can need. What more can one ask for?
01:28 - 01:32
All this here on Latino USA, but first: las noticias.
20:12 - 20:24
Had to happen outside of Cuba before the Cuban people convince themself what they had themself over there. When they got big in United States, Cuba begin to move into that line of music.
22:39 - 23:03
Merengue, merengue from Santo Domingo. Cumbia is cumbia from Colombia. Afro-Cuban is Cuban. That's why I got to keep [unintelligible] Afro-Cuban rhythms, and Afro-Cuban rhythm…Danzón es cubano…la Danza es cubano…Bolero es cubano…el Cha-cha-cha es cubano…el Mambo es cubano…el Guaguancó es cubano y la Columbia es cubana. So, I got to call it Afro-Cuban Jazz.
Latino USA 14
00:46 - 00:53
Afro-Cuban is Cuban. That's why. I've got to keep a bunch of these Afro-Cuban rhythms.
22:06 - 22:22
Had to happen outside of Cuba before the Cuban people convinced themself what they had, themself over there. They didn't pay no attention to that. When I got big in United States, Cuba begin to move into that line of music.
25:51 - 26:13
Meringue, meringue from San Domingo. Cumbia's cumbia from Colombia. Afro-Cuban is Cuban. That's why I've got to keep a bunch of these Afro-Cuban rhythms. Danzón Cubano, la danza Cubano, el bolero Cubano, el cha-cha-cha Cubano, el mambo es Cubano, guaguanco Cubano, la Colombia es Cubana.So I've got to call it Afro-Cuban, yeah.
26:30 - 26:30
That's it.
26:32 - 26:32
Yes.
26:39 - 26:41
You know me. It ain't going to be like that.
26:44 - 27:08
I don't know. I ain't through, I ain't through. I just wanted my music to be elevated. That's why I want to record this suite now. I want to see the word, music is music. You tell me what kind of music. I like any kind of music that we're playing. And that's what I tried to do, present my music different way. Some people might don't like this, don't like that, but when they hear that, they have a right to choose for. That's what I want them to do.