Latino USA Episode 08
06:17
In the poverty-stricken South Bronx, a controversy has erupted over the alister of an activist Puerto Rican minister. Supporters of Episcopalian priest, Father Luis Barrios, who preaches liberation theology want him reinstated at St. Anne's Church. But his superiors say Father Barrios has gone beyond the boundaries of a good Episcopalian minister. From the South Bronx, Mandalit del Barco reports.
06:44
[Background--Sounds--Crowd chanting] Supporters of Reverend Luis Barrios have been rallying with protest songs and prayers in front of the city's episcopal cathedrals, St. John The Divine. On May 19th, the popular priest was suspended from his parish at St. Anne's Church without explanation by Episcopal Bishop Richard Green. Parishioners of the mostly working-class Puerto Rican parish are furious over Barrios's suspension from a church that's been politically active since the 1960s.
07:12
Es una injusticia y te lo que estan hacienda con el porque el padre barrio… [Translation--Dub--English]
07:59
Other priests have been doing exactly what Luis Barrios has been doing, and they have not been removed, they have not been taken out, they have not been suspended, and that's our concern that it's because he is the Puerto Rican priest at South Bronx that he's being removed.
08:16
Episcopal Bishop Richard Green, who notified Barrios of his suspension in the letter has been unavailable for comment and he reportedly refused to discuss his reasons with St. Anne's vestry, but his spokesman told the New York Times that Barrios had displayed vocational immaturity when he blessed the unions of gay couples and when he allowed a Roman Catholic priest and bishops from so-called schismatic churches to use St. Anne's. [Background--Sounds--Crowd chanting] On a recent Sunday, Barrios's supporters calling church leaders homophobic and racist rush the altar of St. Anne's Church chanting in solidarity and forcing a replacement priest to cancel mass. Meanwhile, this protest continued, Father Barrios has been waiting it out in another church, St. Mary's in Harlem. Looking back, Barrios says his troubles began in January after he delivered a sermon critical of the church.
09:13
My concern in that a particular moment in that sermon was that we talking about justice and transforming this society and the church need to play a very important role in changing society and getting into something that we call justice, but we need to start doing some cleaning inside the church. So my biggest concern, and it's still my biggest concern, is that we are in a church that is racist and homophobic, and if we are not going to deal with this, how we going to deal with the society preaching what we are not really practicing.
09:45
As a black Puerto Rican, Barrios wonders of his work for independence of the island led to his suspension, or perhaps he says it was his support for gay and lesbian rights, but being politically active is something he's always believed in, even as a child in Santurce, Puerto Rico.
10:01
The whole point was that I grew up in a church where the priest was a member of the Puerto Rican Socialist Party and at the same time a very respectful priest in the denomination. And I never saw the contradiction between politic and religion. And of course he always told me that do not believe that there is a separation between politic and religion. So I grew up with that in my mind.
10:30
Barrios is still waiting for church superiors to communicate with him directly. He also believes church leaders underestimated the impact of their action on St. Anne's worshipers.
10:39
This is a Latino Black priest. Nobody's going to do nothing or sometimes is this racism that do not let you see that this person has some capacity or some organizational skill. So they took it for granted that nothing was going to happen and said, oh God, that's very dangerous to commit that kind of stupid mistakes.
11:00
Supporters say they plan to keep the pressure on until Father Barrios gets a public apology and is reinstated. Church officials, meanwhile, still decline to comment on the case. For Latino USA, I'm Mandalit del Barco in New York.
7:18:00
75 year 75-year-old Rosada Vaquerano calls Barrios's suspension an injustice, saying his work has empowered the South Bronx, one of the poorest communities in the country. As a proponent of liberation theology, Barrios believes it's a church's duty to work for social justice. Besides establishing a gay and lesbian ministry, Barrios created programs for Puerto Rican political prisoners and immigrants. He helped start a needle exchange program to fight AIDS and protested a medical waste incinerator in the neighborhood. St. Anne's church runs the only soup kitchen in the South Bronx and it's the home of the Pregones Theater Company. United Methodist Reverend Eddie Lopez is one of many clergy supporting Barrios.
Latino USA Episode 10
10:08
Recently, San Francisco-based comedian and performance artist, Marga Gomez received rave reviews for her one-woman off-Broadway show called Memory Tricks. Now, Gomez is working on a television adaptation of Memory Tricks, which looks back at her New York childhood with a showbiz family. From New York, Mandalit Del Barco reports.
10:29
Marga Gomez is the funniest simulated lesbian comic and performance artist who describes herself as somewhat of a misfit Latina.
10:37
My name is Gomez, and I look Latina and I feel that. I mean, I can eat spicy food, but I can't dance salsa or speak Spanish.
10:46
Marga is the daughter of a Puerto Rican exotic dancer and a Cuban impresario. Her solo show Memory Tricks is set in her precocious New York City childhood, when her flamboyant mom and dad were considered the Lucy and Ricky of New York's Latin vaudeville scene. [highlight music]
11:13
[background music] I thought of them as big, big stars. You know, you couldn't get to be bigger stars than my parents. Actually, they were stars in their community, and their community was a very poor community, so they were like poor stars, but I thought we were just like royalty. [highlight music]
11:37
In the 1960s, Marga's dad, Willy Chevalier, was a comic actor who produced theater reviews known as Spanish Spectaculars, [background music] featuring salsa stars like Tito Puente and Celia Cruz, female contortionists, magicians and other acts. He put together sketches called La Familia Comica, which sometimes showcased her mom's Afro-Cuban dancing, they're pet chihuahua, and little Marga Gomez.
12:01
[background music] I had delusions of grandeur from a young age, because my father would just tell me all these fantastic things, I was going to be the next Shirley Temple and all that. You know? I couldn't sing, couldn't dance, but somehow I was going to be the non-singing, non-dancing, Puerto Rican-Cuban Shirley Temple.
12:19
[background music] Marga says when they got divorced, she had to choose between her dad and her mother, Margarita Estremera, also known as Margo the Exotic. Memory Tricks is Marga's tribute to a bleach blonde, fem fatal mom who used to try to teach Marga to be a perfumed lady, how to hold her pocketbook and glide, glide, glide on high heels. In a scene from a recent off-Broadway show, she remembers going on a picnic with her glamorous mom.
12:44
Let me tell you about the picnic. Remember the picnic, the one I sold my father out for? My mother promised that we would go that Sunday, right after church. I was so excited. I prayed extra hard in church. "Father, God, please, don’t let her see any stores on the way." When the priest said, "The mass is over. Go in peace," [snapping] I was gone. I ran all the way home, ran upstairs to my room, changed into my play clothes. That's what I wear all the time now, my play clothes. Then, I ran to my mother's room to see if she was awake. See, my mother couldn't go to church with me on Sundays. She was a good Catholic, but after a hard night of belly dancing, you need your rest.
13:25
In Memory Tricks, Marga talks about not wanting to grow up to be like her mom, who always wanted a Caucasian nose like Michael Jackson's. But she's found you can't escape your roots, even if they are dyed.
13:37
She'd sing all the time in the house, but she'd sing like this. [Singing] What a difference, la la la besame, besame la la She'd sing--She knew so many songs and none of the words. So that's sort of, the way I sing, too, so don't sit next to me at a rock concert. [Singing] I can’t get no la la la la la la.
14:01
Marga now lives in San Francisco where she began her adult career in show business with the feminist theater company, Lilith. She honed her comedy talents with the San Francisco Mime Troupe and is one of the original stand-up comics with Culture Clash. [Piano playing “I feel Pretty”] Not long ago, for the biennial celebration of New York's Whitney Museum, she performed her second show, "Marga Gomez is Pretty, and Witty and Gay", which deals with her sexuality.
14:36
[Piano playing] It has to do, some of it with my relationship and jealousy. My parents were very jealous of each other, and just because I'm not in a traditional relationship doesn't mean that I can't be dysfunctional. So, I talk about being a jealous girlfriend. I also have this little interlude where I'm reading from the Diary of Anaïs Nin, and I read from her Lost Diaries where she goes to Disneyland and has a tryst with Minnie Mouse.
15:03
Marga continues to do stand-up comedy and is reading for movie parts.
15:06
[background piano music] I've heard about a Frida Kalo project, and I'd like to do that because I got the eyebrows and everything, little mustache too. I'll just stop bleaching that sucker.
15:17
This summer, marga Gomez is writing the screenplay of Memory Tricks for the PBS series "American Playhouse". For Latino USA, I'm Madalit Del Barco in New York.
Latino USA Episode 11
05:36
Latino journalists continue to debate the relocation of this year's NAHJ conference from Denver to Washington. The new site was chosen because of the controversial passage of Amendment Two in Colorado, a law which allows employers to fire employees solely on the basis of sexual orientation. Betto Arcos reports.
05:55
Lesbian and gay Latino journalists and activists confronted reporters in Denver via satellite about the decision to cancel the conference scheduled for April in Colorado. Some NAHJ members from Colorado were still angry about the decision, saying it could have been more effective to fight the amendment in that state, but other members who supported the relocation defended their decision. Rosemary Arce, a TV producer in New York, said that the relocation decision served as an educational experience for the NAHJ members.
06:26
One of the problems with the debate that we had over this issue is that I think that they kept ignoring the fact that there are gay lesbian members of NAHJ that were very upset about our organization going into the state where they felt threatened, they felt under attack. And what ultimately happened, I think, is that the organization decided to respect their wishes. And it's been a good process. It's been a strengthening process for NAHJ.
06:49
Arce said that for the members to become engaged in the cause of Hispanic journalists, the organization has to commit itself to making people more politically aware. For "Latino USA," this is Beto Argos in Washington.
Latino USA Episode 13
17:17
Esperanza, or hope. It's said, that's one thing young people living in this day and age, often lack. But in San Antonio, Texas, a group of teenagers is creating theater that expresses a measure of hope for the future. Even amidst a reality of drugs, gangs, identity questions, and homelessness. Along with Lucy Edwards Latino USA's, Maria Martin prepared this report.
17:42
[Natural sounds, theater] Grupo Animo
17:44
It's the Friday afternoon at Fox Technical High School in San Antonio. The young members of the acting troupe El Grupo Animo, ages 13 to 18, have come together to start rehearsing their new production. The group's name derives from the Spanish word meaning spirit, energy, and a desire to inspire and the drama they're preparing is written and performed by the kids themselves.
18:08
[Natural sounds, theater] All the young women in the piece, over here.
18:13
Identity. [Natural sounds, theater]
18:14
The drama in production is called, "I Have Hopes, Hopes I Keep Sacred in My Soul." It's a series of vignettes, tales of young people, much like the members of El Grupo Animo, facing life's challenges and learning to cope.
18:28
It's about a young girl who gets pregnant and she has to tell her parents because both of us know so many girls who have already gotten pregnant and it's not looking better or anything.
18:44
I'm 17 years old, and I wrote about the homeless. So much we can learn from our people. They've gone through rough times, and by that, a lot of them are on the streets, and we don't even care about them.
18:56
I decided to bring up the issue of teenage homosexuality, because Hispanic, Mexican American families, it's harder for them to deal with it. There's a lot of tradition, and a lot of the tradition is built around the male role model and female role model, you know?
19:11
14-year-old Michaela Diaz, along with Guadalupe Covera and Victoria Rivera, are among the nine playwrights who make up El Grupo Animo. 16 year old Priscilla Valle wrote about a young gang member.
19:23
He's dealing with the pressures of being tied to his gang, but then wanting to get out and be free and lead the life that he wants to lead, that the gang doesn't allow him to.
19:33
You don't understand, what if they come after me? Babe, they know where I live.
19:39
They're tearing you apart. They mess around with people's lives like it's nothing. You can't be afraid to be who you are. Don't keep it down forever. I hate them!
19:51
It's really a lot of what's going on in their minds and in their lives, but they never have a place to talk about it.
19:58
Director George Emilio Sanchez of New York is working with the young playwrights and actors of El Grupo Animo.
20:04
It takes a lot of courage to be a young person. It takes a hell of a lot of courage to say, "Yeah, I'm young. I don't know everything, and I want to be alive." Boom. That to me is like heroic. I think individually, if you read the things they write, no, I don't think they have a lot of hope.
20:19
But still, say the kids, their stories do express hope as the title of their collective work indicates.
20:25
Even though we are, we're sad and depressed about it. I think there's always that bright side and that hope that we have, and that's just what the whole play is about.
20:33
That's why I think that the name of it, "I Have Hopes, Hopes I Keep Sacred in My Soul", is what we're using. They're not all happy plays with happy endings, but we're not trying to say that the whole world is terrible. You know, that everything's terrible, that there's no hope for anything. Even though we know what reality is, we still feel that there can be a change, that there will be a change, and if anybody, we'll be the ones who will do that. And that's our message, basically.
20:59
El Grupo Animo’s production of "I Have Hopes, Hopes I Keep Sacred in My Soul," runs through July 17th at San Antonio's Guadalupe Cultural Arts Center. The Center's theater director, Jorge Pina, calls the troupe the next generation of Chicano Teatristas.For Latino USA with Lucy Edwards in San Antonio, I'm Maria Martin.
Latino USA Episode 15
01:01
This is news from Latino USA. I'm Maria Martin.
01:04
It is not a perfect solution. It is not identical with some of my own goals and it certainly will not please everyone, perhaps not anyone.
01:16
As President Clinton correctly predicted, his policy on gays in the military drew mixed reaction. From the gay community, there was anger and disappointment. Letitia Gomez is with a National Latino Gay and Lesbian Alliance in Washington.
01:30
It's incredible to me that if you say you're gay and you're in the military, that that is considered sexual misconduct and you can be thrown out. I mean, who in the United States has to deal with that except gays and lesbians in the military? One Gallup poll showed that 58% of Americans do favor the compromise.
Latino USA Episode 19
25:12
For four days, recently, more than 150,000 young people gathered in Denver to see Pope John Paul II. Among them, many Latinos from across the country. Producer Betto Arcos, spoke to the young Hispanics about what was on their minds, issues ranging from the future of the Latino community to abortion, President Clinton's performance, and gays in the military.
25:35
The Hispanic community is not getting very well educated, okay? We need to push more for education.
25:42
We're working our way up, and I want to see us in power, not let everybody else walk all over us. We're going to be doing a lot of the walking, and we've got a lot to do.
25:51
President Clinton, up to this day, I feel that he takes in a lot of information from his public, from his staff, and he later he comes up with the plan out of that.
26:04
I think he's done a good job so far. I think he's the best president ever since John F Kennedy.
26:10
I'm sure he has good intentions. He can't please everybody all the time. He's looking out for the general welfare of the whole United States.
26:20
I do like the fact that he has let gays and lesbians in the army and stuff like that because I mean, that's their own private life, and nobody should get into that because it's theirs and it's personal. So I mean, we shouldn't hold that against them. Their preference is their business as long as they can do their work right. I mean, I think that's cool.
26:40
That's a tough situation. And the way it is right now there, we know that there are some gays in the military, but we don't know who they are, if they keep it quiet or ... Once you do know, I do know of one, a guy that was in my unit, and he seemed just like any other guy. So on a personal level, it's all right, but when you think about the overall picture, it's kind of an eerie feeling.
27:03
I don't know if you can say maybe the sixties, free love, everything like that was a part of it. And some of the people took that wrong as to what free love was, and they took it to the extremes with sex. And nowadays, you have a generation that holds nothing sacred.
27:21
Yeah, I believe that it's women's choice, even though in the case of rape, they should have an abortion, like incest and stuff like that. But I do believe it's women's choice.
27:32
Abortion is not a word for me. I don't believe in it.
27:37
Sex is not a game. It's not something we should play with. Responsible sex is knowing that you're going to have sex and knowing that the possibility of having a child is there and taking that responsibility if a child is in your womb.
27:49
I work in a neighborhood where the dropout rate is 75% of our high school and 75% of that, 45% of that is due to pregnancy. And I can't justify telling a kid for whatever reason, not to have abortion, not to have abortion, but I think it should be there to be addressed correctly.
Latino USA 08
06:17 - 06:44
In the poverty-stricken South Bronx, a controversy has erupted over the alister of an activist Puerto Rican minister. Supporters of Episcopalian priest, Father Luis Barrios, who preaches liberation theology want him reinstated at St. Anne's Church. But his superiors say Father Barrios has gone beyond the boundaries of a good Episcopalian minister. From the South Bronx, Mandalit del Barco reports.
06:44 - 07:12
[Background--Sounds--Crowd chanting] Supporters of Reverend Luis Barrios have been rallying with protest songs and prayers in front of the city's episcopal cathedrals, St. John The Divine. On May 19th, the popular priest was suspended from his parish at St. Anne's Church without explanation by Episcopal Bishop Richard Green. Parishioners of the mostly working-class Puerto Rican parish are furious over Barrios's suspension from a church that's been politically active since the 1960s.
07:12 - 7:18:00
Es una injusticia y te lo que estan hacienda con el porque el padre barrio… [Translation--Dub--English]
07:59 - 08:16
Other priests have been doing exactly what Luis Barrios has been doing, and they have not been removed, they have not been taken out, they have not been suspended, and that's our concern that it's because he is the Puerto Rican priest at South Bronx that he's being removed.
08:16 - 09:13
Episcopal Bishop Richard Green, who notified Barrios of his suspension in the letter has been unavailable for comment and he reportedly refused to discuss his reasons with St. Anne's vestry, but his spokesman told the New York Times that Barrios had displayed vocational immaturity when he blessed the unions of gay couples and when he allowed a Roman Catholic priest and bishops from so-called schismatic churches to use St. Anne's. [Background--Sounds--Crowd chanting] On a recent Sunday, Barrios's supporters calling church leaders homophobic and racist rush the altar of St. Anne's Church chanting in solidarity and forcing a replacement priest to cancel mass. Meanwhile, this protest continued, Father Barrios has been waiting it out in another church, St. Mary's in Harlem. Looking back, Barrios says his troubles began in January after he delivered a sermon critical of the church.
09:13 - 09:45
My concern in that a particular moment in that sermon was that we talking about justice and transforming this society and the church need to play a very important role in changing society and getting into something that we call justice, but we need to start doing some cleaning inside the church. So my biggest concern, and it's still my biggest concern, is that we are in a church that is racist and homophobic, and if we are not going to deal with this, how we going to deal with the society preaching what we are not really practicing.
09:45 - 10:01
As a black Puerto Rican, Barrios wonders of his work for independence of the island led to his suspension, or perhaps he says it was his support for gay and lesbian rights, but being politically active is something he's always believed in, even as a child in Santurce, Puerto Rico.
10:01 - 10:30
The whole point was that I grew up in a church where the priest was a member of the Puerto Rican Socialist Party and at the same time a very respectful priest in the denomination. And I never saw the contradiction between politic and religion. And of course he always told me that do not believe that there is a separation between politic and religion. So I grew up with that in my mind.
10:30 - 10:39
Barrios is still waiting for church superiors to communicate with him directly. He also believes church leaders underestimated the impact of their action on St. Anne's worshipers.
10:39 - 11:00
This is a Latino Black priest. Nobody's going to do nothing or sometimes is this racism that do not let you see that this person has some capacity or some organizational skill. So they took it for granted that nothing was going to happen and said, oh God, that's very dangerous to commit that kind of stupid mistakes.
11:00 - 11:12
Supporters say they plan to keep the pressure on until Father Barrios gets a public apology and is reinstated. Church officials, meanwhile, still decline to comment on the case. For Latino USA, I'm Mandalit del Barco in New York.
7:18:00 - 07:59
75 year 75-year-old Rosada Vaquerano calls Barrios's suspension an injustice, saying his work has empowered the South Bronx, one of the poorest communities in the country. As a proponent of liberation theology, Barrios believes it's a church's duty to work for social justice. Besides establishing a gay and lesbian ministry, Barrios created programs for Puerto Rican political prisoners and immigrants. He helped start a needle exchange program to fight AIDS and protested a medical waste incinerator in the neighborhood. St. Anne's church runs the only soup kitchen in the South Bronx and it's the home of the Pregones Theater Company. United Methodist Reverend Eddie Lopez is one of many clergy supporting Barrios.
Latino USA 10
10:08 - 10:29
Recently, San Francisco-based comedian and performance artist, Marga Gomez received rave reviews for her one-woman off-Broadway show called Memory Tricks. Now, Gomez is working on a television adaptation of Memory Tricks, which looks back at her New York childhood with a showbiz family. From New York, Mandalit Del Barco reports.
10:29 - 10:37
Marga Gomez is the funniest simulated lesbian comic and performance artist who describes herself as somewhat of a misfit Latina.
10:37 - 10:46
My name is Gomez, and I look Latina and I feel that. I mean, I can eat spicy food, but I can't dance salsa or speak Spanish.
10:46 - 11:01
Marga is the daughter of a Puerto Rican exotic dancer and a Cuban impresario. Her solo show Memory Tricks is set in her precocious New York City childhood, when her flamboyant mom and dad were considered the Lucy and Ricky of New York's Latin vaudeville scene. [highlight music]
11:13 - 11:30
[background music] I thought of them as big, big stars. You know, you couldn't get to be bigger stars than my parents. Actually, they were stars in their community, and their community was a very poor community, so they were like poor stars, but I thought we were just like royalty. [highlight music]
11:37 - 12:01
In the 1960s, Marga's dad, Willy Chevalier, was a comic actor who produced theater reviews known as Spanish Spectaculars, [background music] featuring salsa stars like Tito Puente and Celia Cruz, female contortionists, magicians and other acts. He put together sketches called La Familia Comica, which sometimes showcased her mom's Afro-Cuban dancing, they're pet chihuahua, and little Marga Gomez.
12:01 - 12:17
[background music] I had delusions of grandeur from a young age, because my father would just tell me all these fantastic things, I was going to be the next Shirley Temple and all that. You know? I couldn't sing, couldn't dance, but somehow I was going to be the non-singing, non-dancing, Puerto Rican-Cuban Shirley Temple.
12:19 - 12:44
[background music] Marga says when they got divorced, she had to choose between her dad and her mother, Margarita Estremera, also known as Margo the Exotic. Memory Tricks is Marga's tribute to a bleach blonde, fem fatal mom who used to try to teach Marga to be a perfumed lady, how to hold her pocketbook and glide, glide, glide on high heels. In a scene from a recent off-Broadway show, she remembers going on a picnic with her glamorous mom.
12:44 - 13:25
Let me tell you about the picnic. Remember the picnic, the one I sold my father out for? My mother promised that we would go that Sunday, right after church. I was so excited. I prayed extra hard in church. "Father, God, please, don’t let her see any stores on the way." When the priest said, "The mass is over. Go in peace," [snapping] I was gone. I ran all the way home, ran upstairs to my room, changed into my play clothes. That's what I wear all the time now, my play clothes. Then, I ran to my mother's room to see if she was awake. See, my mother couldn't go to church with me on Sundays. She was a good Catholic, but after a hard night of belly dancing, you need your rest.
13:25 - 13:36
In Memory Tricks, Marga talks about not wanting to grow up to be like her mom, who always wanted a Caucasian nose like Michael Jackson's. But she's found you can't escape your roots, even if they are dyed.
13:37 - 14:01
She'd sing all the time in the house, but she'd sing like this. [Singing] What a difference, la la la besame, besame la la She'd sing--She knew so many songs and none of the words. So that's sort of, the way I sing, too, so don't sit next to me at a rock concert. [Singing] I can’t get no la la la la la la.
14:01 - 14:35
Marga now lives in San Francisco where she began her adult career in show business with the feminist theater company, Lilith. She honed her comedy talents with the San Francisco Mime Troupe and is one of the original stand-up comics with Culture Clash. [Piano playing “I feel Pretty”] Not long ago, for the biennial celebration of New York's Whitney Museum, she performed her second show, "Marga Gomez is Pretty, and Witty and Gay", which deals with her sexuality.
14:36 - 15:03
[Piano playing] It has to do, some of it with my relationship and jealousy. My parents were very jealous of each other, and just because I'm not in a traditional relationship doesn't mean that I can't be dysfunctional. So, I talk about being a jealous girlfriend. I also have this little interlude where I'm reading from the Diary of Anaïs Nin, and I read from her Lost Diaries where she goes to Disneyland and has a tryst with Minnie Mouse.
15:03 - 15:06
Marga continues to do stand-up comedy and is reading for movie parts.
15:06 - 15:17
[background piano music] I've heard about a Frida Kalo project, and I'd like to do that because I got the eyebrows and everything, little mustache too. I'll just stop bleaching that sucker.
15:17 - 15:26
This summer, marga Gomez is writing the screenplay of Memory Tricks for the PBS series "American Playhouse". For Latino USA, I'm Madalit Del Barco in New York.
Latino USA 11
05:36 - 05:55
Latino journalists continue to debate the relocation of this year's NAHJ conference from Denver to Washington. The new site was chosen because of the controversial passage of Amendment Two in Colorado, a law which allows employers to fire employees solely on the basis of sexual orientation. Betto Arcos reports.
05:55 - 06:26
Lesbian and gay Latino journalists and activists confronted reporters in Denver via satellite about the decision to cancel the conference scheduled for April in Colorado. Some NAHJ members from Colorado were still angry about the decision, saying it could have been more effective to fight the amendment in that state, but other members who supported the relocation defended their decision. Rosemary Arce, a TV producer in New York, said that the relocation decision served as an educational experience for the NAHJ members.
06:26 - 06:49
One of the problems with the debate that we had over this issue is that I think that they kept ignoring the fact that there are gay lesbian members of NAHJ that were very upset about our organization going into the state where they felt threatened, they felt under attack. And what ultimately happened, I think, is that the organization decided to respect their wishes. And it's been a good process. It's been a strengthening process for NAHJ.
06:49 - 07:01
Arce said that for the members to become engaged in the cause of Hispanic journalists, the organization has to commit itself to making people more politically aware. For "Latino USA," this is Beto Argos in Washington.
Latino USA 13
17:17 - 17:42
Esperanza, or hope. It's said, that's one thing young people living in this day and age, often lack. But in San Antonio, Texas, a group of teenagers is creating theater that expresses a measure of hope for the future. Even amidst a reality of drugs, gangs, identity questions, and homelessness. Along with Lucy Edwards Latino USA's, Maria Martin prepared this report.
17:42 - 17:44
[Natural sounds, theater] Grupo Animo
17:44 - 18:08
It's the Friday afternoon at Fox Technical High School in San Antonio. The young members of the acting troupe El Grupo Animo, ages 13 to 18, have come together to start rehearsing their new production. The group's name derives from the Spanish word meaning spirit, energy, and a desire to inspire and the drama they're preparing is written and performed by the kids themselves.
18:08 - 18:13
[Natural sounds, theater] All the young women in the piece, over here.
18:13 - 18:14
Identity. [Natural sounds, theater]
18:14 - 18:28
The drama in production is called, "I Have Hopes, Hopes I Keep Sacred in My Soul." It's a series of vignettes, tales of young people, much like the members of El Grupo Animo, facing life's challenges and learning to cope.
18:28 - 18:44
It's about a young girl who gets pregnant and she has to tell her parents because both of us know so many girls who have already gotten pregnant and it's not looking better or anything.
18:44 - 18:56
I'm 17 years old, and I wrote about the homeless. So much we can learn from our people. They've gone through rough times, and by that, a lot of them are on the streets, and we don't even care about them.
18:56 - 19:11
I decided to bring up the issue of teenage homosexuality, because Hispanic, Mexican American families, it's harder for them to deal with it. There's a lot of tradition, and a lot of the tradition is built around the male role model and female role model, you know?
19:11 - 19:23
14-year-old Michaela Diaz, along with Guadalupe Covera and Victoria Rivera, are among the nine playwrights who make up El Grupo Animo. 16 year old Priscilla Valle wrote about a young gang member.
19:23 - 19:33
He's dealing with the pressures of being tied to his gang, but then wanting to get out and be free and lead the life that he wants to lead, that the gang doesn't allow him to.
19:33 - 19:39
You don't understand, what if they come after me? Babe, they know where I live.
19:39 - 19:51
They're tearing you apart. They mess around with people's lives like it's nothing. You can't be afraid to be who you are. Don't keep it down forever. I hate them!
19:51 - 19:58
It's really a lot of what's going on in their minds and in their lives, but they never have a place to talk about it.
19:58 - 20:04
Director George Emilio Sanchez of New York is working with the young playwrights and actors of El Grupo Animo.
20:04 - 20:19
It takes a lot of courage to be a young person. It takes a hell of a lot of courage to say, "Yeah, I'm young. I don't know everything, and I want to be alive." Boom. That to me is like heroic. I think individually, if you read the things they write, no, I don't think they have a lot of hope.
20:19 - 20:25
But still, say the kids, their stories do express hope as the title of their collective work indicates.
20:25 - 20:33
Even though we are, we're sad and depressed about it. I think there's always that bright side and that hope that we have, and that's just what the whole play is about.
20:33 - 20:59
That's why I think that the name of it, "I Have Hopes, Hopes I Keep Sacred in My Soul", is what we're using. They're not all happy plays with happy endings, but we're not trying to say that the whole world is terrible. You know, that everything's terrible, that there's no hope for anything. Even though we know what reality is, we still feel that there can be a change, that there will be a change, and if anybody, we'll be the ones who will do that. And that's our message, basically.
20:59 - 21:20
El Grupo Animo’s production of "I Have Hopes, Hopes I Keep Sacred in My Soul," runs through July 17th at San Antonio's Guadalupe Cultural Arts Center. The Center's theater director, Jorge Pina, calls the troupe the next generation of Chicano Teatristas.For Latino USA with Lucy Edwards in San Antonio, I'm Maria Martin.
Latino USA 15
01:01 - 01:03
This is news from Latino USA. I'm Maria Martin.
01:04 - 01:16
It is not a perfect solution. It is not identical with some of my own goals and it certainly will not please everyone, perhaps not anyone.
01:16 - 01:30
As President Clinton correctly predicted, his policy on gays in the military drew mixed reaction. From the gay community, there was anger and disappointment. Letitia Gomez is with a National Latino Gay and Lesbian Alliance in Washington.
01:30 - 01:47
It's incredible to me that if you say you're gay and you're in the military, that that is considered sexual misconduct and you can be thrown out. I mean, who in the United States has to deal with that except gays and lesbians in the military? One Gallup poll showed that 58% of Americans do favor the compromise.
Latino USA 19
25:12 - 25:34
For four days, recently, more than 150,000 young people gathered in Denver to see Pope John Paul II. Among them, many Latinos from across the country. Producer Betto Arcos, spoke to the young Hispanics about what was on their minds, issues ranging from the future of the Latino community to abortion, President Clinton's performance, and gays in the military.
25:35 - 25:41
The Hispanic community is not getting very well educated, okay? We need to push more for education.
25:42 - 25:51
We're working our way up, and I want to see us in power, not let everybody else walk all over us. We're going to be doing a lot of the walking, and we've got a lot to do.
25:51 - 26:03
President Clinton, up to this day, I feel that he takes in a lot of information from his public, from his staff, and he later he comes up with the plan out of that.
26:04 - 26:09
I think he's done a good job so far. I think he's the best president ever since John F Kennedy.
26:10 - 26:19
I'm sure he has good intentions. He can't please everybody all the time. He's looking out for the general welfare of the whole United States.
26:20 - 26:39
I do like the fact that he has let gays and lesbians in the army and stuff like that because I mean, that's their own private life, and nobody should get into that because it's theirs and it's personal. So I mean, we shouldn't hold that against them. Their preference is their business as long as they can do their work right. I mean, I think that's cool.
26:40 - 27:01
That's a tough situation. And the way it is right now there, we know that there are some gays in the military, but we don't know who they are, if they keep it quiet or ... Once you do know, I do know of one, a guy that was in my unit, and he seemed just like any other guy. So on a personal level, it's all right, but when you think about the overall picture, it's kind of an eerie feeling.
27:03 - 27:21
I don't know if you can say maybe the sixties, free love, everything like that was a part of it. And some of the people took that wrong as to what free love was, and they took it to the extremes with sex. And nowadays, you have a generation that holds nothing sacred.
27:21 - 27:31
Yeah, I believe that it's women's choice, even though in the case of rape, they should have an abortion, like incest and stuff like that. But I do believe it's women's choice.
27:32 - 27:35
Abortion is not a word for me. I don't believe in it.
27:37 - 27:49
Sex is not a game. It's not something we should play with. Responsible sex is knowing that you're going to have sex and knowing that the possibility of having a child is there and taking that responsibility if a child is in your womb.
27:49 - 28:02
I work in a neighborhood where the dropout rate is 75% of our high school and 75% of that, 45% of that is due to pregnancy. And I can't justify telling a kid for whatever reason, not to have abortion, not to have abortion, but I think it should be there to be addressed correctly.